About twenty years ago, Elaine and Fred Stenman
started to develop their own unique style of relief woodcarving. The idea
grew out of one of the many art and craft skills that Elaine had become
proficient at while a co-owner of a small craft store.
Elaine learned to make and teach a number of
different crafts. Among the most popular of these were macramé, silk flower
arranging and seasonal ornamental crafts.
From time to time, wholesale suppliers would offer
classes to promote new product lines or to give retailers instruction on how
to use and promote various products that they carried.
On one of the occasions the class was on a very
simple country relief woodcarving technique. Elaine encouraged Fred to take
the class. Even though he was not bitten by the carving bug, Elaine was.
As time went on, Elaine spent more time developing
her skill as a relief woodcarver. Initially most of the designs were simple
and derived from pattern books etc. But, at an early stage original Stenman
designs were worked into the carvings.
A division of labor was also set early on. Elaine
continued to grow as a carver, and Fred drew more and more of the designs.
Each individual carving starts with one or more main points of
interest. These consist of wildlife such as loons, geese, bear, moose etc.
or buildings like barns, cabins or possibly an old water mill. Normally, the
major elements are carved. The
background details must be individually drawn on each carving taking into
consideration the knots, unusual wood grain or board shape. All of the
details are then woodburned . Each piece is then painted with very thin
acrylic paint and a halo of burnt umber stain is applied. There are
four to six coats of hand rubbed varnish on each piece.